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The writing process for The Afterlife began in October 2016. Opening with the ghostly The Moon Drips, a song about creatures of the night, that features mariachi trumpet, demented harpsichord and a thrilling climax, the music was written as a jam in one take – Marty on organ guitar, Dare on bass and Olivia on violin. Marty’s wife, Olivia, joined us on most of the tracks, either playing violin or singing. Dare contributes lyrics on two songs. Show, a jangly pop song and High Tide / Low Tide, written after listening to a friend talk about his bipolar disorder. The King Crimson influence emerges on A Resurrected Man, a slow, beautifully crafted paean to Marty’s muse. For those who like to hear Noctorum at full throttle, A Girl With No Love is built around a Thin Lizzy style riff, motors along at breakneck speed and tells the story of disillusioned lonely men in search of guiltless fantasy. Another stand out track is Head On, a duet between Marty and Olivia, complete with 70s style detective theme backing and a full on progressive instrumental outro as a soundtrack to a lover’s pact, immortalized in a head on collision. The track The Afterlife is beyond categorisation. Over a backing that sounds like a pastoral, even whimsical piece of English folk rock or perhaps a hymn, Marty inhabits the soul of a suicide bomber and tells us his side of the story. Ian McNabb from the Icicle Works explained it best in the title of one of his albums – “If you want to know your enemy, sing his song”.
J.S. Ondara offers a unique take of the American dream on Tales of America, his debut album. Born and raised in Nairobi, Kenya, J.S. fell in love with Bob Dylan and moved to Minneapolis Minnesota when he was 20 to pursue a career as a singer-songwriter. He notes other musical influences as Neil Young, Noah Gundersen, Damien Rice and Ray LaMontagne. His debut album, Tales of America, is an examination of the American Dream from an outsider's perspective; an introspection on a universal matter.
“Signs” is the fourth studio release from Tedeschi Trucks Band and offers another outstanding example of their ability to expand musical boundaries in ways that only a rare caliber of musician can achieve. “Signs” showcases the band at their best – combining inventive musicality and provocative lyrics across eleven original tracks, running the gamut from uplifting soulful anthems, to bittersweet ballads and driving rock and roll.
The album was recorded at Derek and Susan’s home studio, Swamp Raga, on two-inch analogue tape giving it a warmth and richness that recalls the ambience of the best vintage recordings.
Avril Lavigne's first album in over 5 years includes the title track Head Above Water and Tell Me It's Over
Hello. I'm Robert Ellis, The Texas Piano Man. I wanted to take a moment to say a few words about this record and what you might expect from it. Texas Piano Man is a collection of songs specifically written for my piano driven Rock & Roll band from the great state of Texas. Myself and the guys bring these songs to you in the very spirit of Texas itself; loudly, confidently, over the top, larger than life, at times deadly serious and yet always with a wink and a smile. We invite you to come on in, stay a while, and when you leave take with you the spirit of these songs, the spirit of Texas, and the spirit of The Texas Piano Man himself. Adios!
American Love Song finds Bingham honing his creativity on two distinct levels, the personal and the cultural. The record is co-produced with Charlie Sexton, the superb Austin guitarist who has played for years in Bob Dylan s touring band. American Love Song was recorded at Arlyn Studios and Public Hi-Fi in Austin with additional recording at Matter Music/Stella Sound in Los Angeles.
Piroshka is the latest project of Miki Berenyi, frontwoman of British shoegazers Lush. It is also a UK alt-rock supergroup with Moose’s KJ McKillop and Modern English’s Mick Conroy and Elastica’s Justin Welch.
Single LP on opaque yellow & red swirl vinyl in same packaging as standard LP. Includes coupon for full download
The cliché that circulated after the 2016 election foretold a new artistic golden age: Artists would transform their anger and anxiety into era-defining works of dissent in the face of authoritarianism.
Yet Bob Mould calls his new album Sunshine Rock.
It’s not because Mould—whose face belongs on the Mount Rushmore of alternative music—likes the current administration. His decision to “write to the sunshine,” as he describes it, comes from a more personal place—a place found in Berlin, Germany, where he’s spent the majority of the last three years. Here Mould would draw inspiration from the new environments.
Newly remastered versions of the live album. The tour’s innovative set and marriage of music and theatre has been cited as a big inspiration to acts in the 2000’s.
Speaking in 1991 about Glass Spider, Bowie said, “It was the first time I'd had the opportunity to spend that kind of money and do shows like that! The first time since Diamond Dogs, anyway ... I thought, Right! Let's really spend some money! I had all these thwarted dreams of what I'd tried to do with rock 'n roll in the early '70s”.
Previously unreleased live album recorded in Montreal in 1983. Originally mixed at the time by Bob Clearmountain, the double album captures Bowie on what at that time was his most successful tour.
