Thundercat is set to release his new album It Is What It Is on Brainfeeder Records on April 3, 2020, and shares the first music; 'Black Qualls (featuring Steve Lacy and Steve Arrington). The album, produced by Flying Lotus and Thundercat, features musical contributions from Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox. It Is What It Is follows his game-changing third album Drunk (2017). That record completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a unique voice that transcends genre. 'This album is about love, loss, life and the ups and downs that come with that,' Bruner says. 'It's a bit tongue-in-cheek, but at different points in life you come across places that you don't necessarily understand' some things just aren't meant to be understood.'

Multi-Platinum-selling country star Sam Hunt announces his eagerly-awaited sophomore album SOUTHSIDE, releasing April 3 on MCA Nashville. The album will feature his current Top 5-and-climbing radio hit “Kinfolks,” the introspective ballad “Sinning With You,” and more from the award-winning artist. SOUTHSIDE will be the first full album since Hunt’s critically acclaimed, GRAMMY-nominated, Triple Platinum-selling debut, Montevallo.

Hinds are a four-piece garage-pop band based in Madrid, Spain consisting of Carlotta Cosials (vocals, guitar), Ana Perrote (vocals, guitar), Ade Martin (bass, backing vocals) and Amber Grimbergen (drums). Hinds' breakout debut Leave Me Alone was an album of party anthems drenched in metaphors. With their forthcoming sophomore record, I Don't Run, it's time to cut straight to the chase. Some might expect them to write songs about being happy, young and carefree -- "but we're not satisfied with that," explains guitarist Ana Perrote. "On this album the struggles are clear. We want to be brave." I Don't Run is Hinds' return, off of their next album The Prettiest Curse out April 3rd, with an honest reflection on a period that changed their lives beyond their wildest imaginations. Since 2014, the band has been on a globe-trotting run. They've never professed to being error-free, and they're all the more brazen for it having survived everything that's been thrown at them: world tours, sold-out crowds, harsh criticism, sexism, and all that lies in-between. Hinds have become better musicians, tighter friends and tougher characters. 

"It was in winter 18/19 - I flew to Montreal to meet with Tim Kingsbury, Richard Reed Parry, Craig Silvey and Teddy Impakt at Le Studio Du Arcade Fire. It was a fine time with a dream team in a city I love. Winter in beautiful Quebec. Les semaines les plus froides de ma vie. I had a bunch of demos that were inspired by migration stories I had heard from friends or read in newspapers while on tour in Europe and North America. I remember being struck by the similarities of the stories I heard from both continents and how really only the names of the powerful and the powerless had changed - thinking, "Is this the future? Is this our future?"Some time went by, the stories wove together and I remember them now closer to characters in a dream of how people could treat each other than any kind of front-page news realism. I think music subconsciously - whether writing or listening - is a filter for me - helping to process all the bad news into something new to build from - some records to me are like self-fulfilling prophecies - visualizing change to wish something into being - those records inspired this one." - M. Ward

Recorded in 1982, not long after she moved to Paris, Fodder On My Wings was one of Nina Simone's favorite albums. In addition to having written the music and lyrics for all but one of the album's 13 songs, the back cover proudly states that she 'arranged, conducted and conceived' all of them. Originally recorded for a small French label and only sporadically available since its initial release, Fodder On My Wings is a lesserknown but important part of Nina's musical history. The album contains deeply personal songs, including 'I Sing Just To Know That I'm Alive' and 'I Was Just A Stupid Dog To Them', as well a searing lyrical improvisation about the death of her father on 'Alone Again, Naturally'. Recorded at a time when Nina was feeling rejuvenated by her surroundings and the African musicians she met in Paris, Fodder On My Wings is an essential Nina Simone album that is making a longoverdue reappearance.

Necroscape is the 2nd album from Mike Patton and Anthony Pateras' modernist electro-acoustic rock proposition t t ma. Joined by violinist Erkki Veltheim and drummer WIll Guthrie in quartet formation, this record continues to employ the wayward orchestrations and arresting physicality of their 2014 debut Geocidal, yet is renewed by a melodic language which grounds it's multi-coloured twists and turns in hallucinatory lyricism. Where Geocidal was loosely based on futuristic post-colonial dystopias, its even cheerier successor is sculpted around isolation in the surveillance age; and although lofty/high-concept sounding, this is still an intensely fun and heavy listen. Necroscape synthesizes a lot of territory: odd-time rock, musique concrète, otherworld grooves, soul, industrial noise, microtonal psychoacoustics .seemingly strange bedfellows on paper, yet in the ears they surprisingly coalesce into 13 songs which playfully challenge our notions of sonic logic and make you move at the same time. In a nutshell, listening to Necroscape creates the weird sensation of exclaiming "of course!" and "wtf?" simultaneously. 5 years in the making, Necroscape mushroomed organically from Pateras' production based on tape loops, analogue synthesis and rarified keyboard instruments in combination with Patton's dense vocal arrangements, Veltheim's exploratory violins and Guthrie's unique percussive strategies. The result is a handmade, kaleidoscopic tour-de-force which re-imagines songwriting as something other. Artwork features beautiful leather sculptures by Talitha Kennedy, tiled lyric sheet and limited edition white vinyl. t t ma invites you to listen.

The New Abnormal is the long awaited new album from The Strokes, and the band’s first album in seven years. The album was announced with the first track and video, “At The Door.”

The New Abnormal is The Strokes’ sixth studio album and was recorded at Shangri-La Studios in Malibu, California, with producer Rick Rubin. The album’s cover artwork is a painting called ‘Bird on Money,’ by famed artist Jean-Michel Basquiat.

The Strokes are singer Julian Casablancas, guitarists Nick Valensi and Albert Hammond Jr, bassist Nikolai Fraiture and drummer Fabrizio Moretti.

Chromatica is the 6th studio album by Lady Gaga. Featuring the single “Stupid Love”. The album will be available April 10th. Pressed on milky clear-colored vinyl.

Prior to his untimely passing, Chester personally announced a 2017 Grey Daze reunion on social media. As he never got the chance to launch the reunion himself, his bandmates, friends, family, and various collaborators stepped up to give the music the second chance it deserved, finishing what the late singer started. The musicians—longtime members Sean Dowdell [drums, backing vocals] and Mace Beyers [bass] as well as Cristin Davis [guitar] recruited in 2017—curated eleven tracks from their catalog and rerecorded the music in 2019 to accompany Chester’s original vocals, which comprised many unheard takes from the vault. Released by Tom Whalley’s Loma Vista Recordings and produced by Jay Baumgardner, the result illuminates the prophetic power of an icon on the cusp of one of rock ‘n’ roll’s most significant revolutions and deepens his already venerable legacy in the process.

'The man singing these songs isn't exactly the same man who wrote them,' says Pokey LaFarge of Rock Bottom Rhapsody, his eighth and latest studio release. 'This album is about the story of who I used to be.' In early 2018, LaFarge ' searching for the sort of artistic freedom and inspiration he wasn't finding in the Midwest ' relocated from his longtime home base of St. Louis, Missouri, to Los Angeles, California. New songs came quickly to LaFarge in his new environment, but new temptations soon found him, as well. Though he declines to get into specifics, LaFarge admits that he experienced a significant 'fall from grace' during the last months of 2018. 'Things sort of started to unravel in my mind,' Shortly before the recording of Rock Bottom Rhapsody began, LaFarge experienced a spiritual awakening ' and the faith he re-embraced in his hour of darkness helped to buoy him through the making of the album. Though he was struggling for spiritual equilibrium at the time, LaFarge at least had some rock-solid musical support to lean on. Recorded primarily at Reliable Recorders on Chicago's Northwest side, Rock Bottom Rhapsody was produced by LaFarge's friend and collaborator Chris Seefried (who also co-wrote several of the album's tracks), and features the considerable talents of guitarist Joel Paterson, keyboardist Scott Ligon, upright/electric bassist Jimmy Sutton, and drummer Alex Hall. Musically, LaFarge continues to mix and match a wide variety of styles and traditions, while never losing track of his own vision This record is kind of like Roy Orbison and Bob Dylan hanging out with chanson singers and French jazz bands in like the forties, but I was never trying to make it sound like a particular person. Despite the trying period that preceded its recording, Rock Bottom Rhapsody is ultimately far more uplifting and life-affirming than its title would suggest. 'That desperation, that struggle,' LaFarge ponders, 'Did it add something to the record? It certainly did. I mean, I don't know if it made it better; it just is what it is. It's not up to me to decide if people are going to feel that'

When Finnish sextet NIGHTWISH announce a new studio album people tend to take notice. They know that something special is brewing. Band leader Tuomas Holopainen once said that whenever he creates a new record he has the intention of capturing something rare and unique, a monument and a true album experience. In 2020 he’s certain to achieve his objective once again. NIGHTWISH have completed the recordings for “HUMAN. :II: NATURE.”, their 9th studio album.

“HUMAN. :II: NATURE.” will be released on 10th April 2020. The long-awaited record, following 2015’s critically-acclaimed, conceptual masterpiece “Endless Forms Most Beautiful”, will be a double album containing 9 tracks on the main CD and one long track, divided into eight chapters on CD 2.

“HUMAN. :II: NATURE.” was recorded from August to October 2019 at Röskö campsite, Petrax Studios and Troykington Castle, as well as Finnvox Studios, by Tero Kinnunen, Mikko Karmila and Troy Donockley. The mixing was done by Mikko Karmila at Finnvox, with Tuomas Holopainen and Tero Kinnunen. Mastering was done by Mika Jussila at Finnvox.

Award-winning duo Maddie & Tae are drawing praise for their new music “anchored around their stellar vocal pairings and some of the tightest harmonies on Music Row” (Rolling Stone). Maddie & Tae first broke out in 2013 with their brilliant take down of bro-country, “Girl In A Country Song,” which took Country radio by storm, skyrocketing to the top of the charts and quickly going PLATINUM. The duo became only the third female duo in 70 years to top the Country Airplay charts, also earning trophies from the Country Music Academy and Radio Disney Music Awards along with multiple ACM, CMA and CMT Award nominations. Receiving widespread praise from NPR, Billboard, Entertainment Weekly, The Washington Post, Glamour and others, country music’s hottest stars including Dierks Bentley, Lee Brice and Brad Paisley have welcomed Maddie & Tae on the road, with Carrie Underwood recently inviting the duo out as direct support on her 2019 The Cry Pretty Tour 360.